Nathalie Bard's choreographies are not easy to classify
and she refrains herself from belonging to one kind of dance rather than to another.
Her dance is rather lived than read,
rather felt than told.
Main choreographies
2010
2009
2008
2007
2005
2003
2002
1999
1998
1996
1994
1992
1989
1988
1987
1986
"O Positif" (project)
"DeSrives"
"Interférences"
"Bleu 119"
"Là"
"Trans#lucide"
"Appel d'Air"
"E-Mail"
"M sans N"
"Estocade"
"Thelonious, 'round Monk"
"Histoire d'Elle"
"Controverse"
"Faux Semblant"
"Fablabla"
"Le Procès"
5 dancers - 1h
6 dancers - 58’
6 dancers - 60’
7 dancers - 63’
6 dancers - 59’
5 dancers - 65’
8 dancers - 67’
8 dancers - 40’
8 dancers - 40’
8 dancers - 77’
5 dancers and 5 musicians - 65’
19 dancers - 90’
4 dancers - 32’
10 dancers - 7’
10 dancers - 38’
6 dancers - 18’